Art-Rated: Your earlier paintings have this concern with a creating a magic, phenomenological space. Your agenda was not always clear, the imagery was sometimes more cryptic. Where was this work coming out of? Read More
Currently on view at David Zwirner
May 4 – June 23, 2012
by Lily Koto Olive
Stepping into the Alice Neel exhibition currently on view at David Zwirner felt like I had entered directly into the artist’s psyche and memory banks. The show is sparsely hung with selections from the late artists estate, most being portraits of her friends and cohorts made between 1964 and 1983; the last two decades of Neel’s life as a painter in NYC. Read More
Eugene Lemay’s solo show, Navigator, opens this week at Mike Weiss Gallery. His large scale monochrome landscapes are seemingly quiet images, reminiscent of the foggy landscapes of James McNeill Whistler. Upon closer inspection their mysterious surface comes to life – the images are built from layering of thousands of individual words and characters. Art-Rated’s Jonathan Beer and Lily Koto Olive were able to talk with Eugene about the work:
Art-Rated: The name of the exhibition, Navigator, comes from your time spent as a navigator in the Israeli army. Are these nocturne landscapes depicting specific locations or landmarks?
Interview with Nunu Hung, Curator of Borderless Map: Taiwanese Painting Now
Interview between Jonathan Beer, Nunu Hung (translating and speaking for the artists), and Lily Koto Olive
On view at Elizabeth Harris Gallery
February 9 – March 10, 2012
by Jonathan Beer
You are Nature is Brooklyn-based artist Greg Lindquist’s most recent body of work currently on view at Elizabeth Harris Gallery. It is comprised of over 15 paintings completed since 2011, as well as two site specific wall paintings.
In a departure from Lindquist’s earlier work, this show features pieces more decidedly about painterly exploration than his prior interest in smart picture making. While intellect is surely habitual concern for the artist, the hallmark of this show is his temporary suspension of that theoretical backdrop to find enjoyment and intrigue in the act of painting.
As I viewed Lindquist’s work at the opening I could not help but remember a 1964 interview between Larry Rivers and David Hockney. Rivers asked Hockney which was more important to picture making; making something beautiful or interesting. Hockney replied “Perhaps the most beautiful paintings are beautifully interesting.” In the case of Greg Lindquist’s work I believe this principle holds true. Read More