Eugene Lemay standing in front of one of his works.
Eugene Lemay’s solo show, Navigator, opens this week at Mike Weiss Gallery. His large scale monochrome landscapes are seemingly quiet images, reminiscent of the foggy landscapes of James McNeill Whistler. Upon closer inspection their mysterious surface comes to life – the images are built from layering of thousands of individual words and characters. Art-Rated’s Jonathan Beer and Lily Koto Olive were able to talk with Eugene about the work:
Art-Rated: The name of the exhibition, Navigator, comes from your time spent as a navigator in the Israeli army. Are these nocturne landscapes depicting specific locations or landmarks?
Interview with Nunu Hung, Curator of Borderless Map: Taiwanese Painting Now
Interview between Jonathan Beer, Nunu Hung (translating and speaking for the artists), and Lily Koto Olive
Tabo Tai-Chun Chou
We always have different congnitive
2011, Acrylic on Canvas, 26 inch diameter.
The Cave produced by Cori Beardsley
Artist Cori Beardsley, along with 20 other artists, performers and musicians have constructed The Cave in the front exhibition space of Frontrunner Gallery and in its project space, both at 59 Franklin St in TriBeca, NYC. The group show, featuring site-specific installations, paintings, drawings, soundscapes, projections, music and theater opens tomorrow evening March 16th, from 6-9 pm.
Art-Rated recently caught up with Cori to discuss the project, process and ideas behind how the project came to evolve.
On view at Elizabeth Harris Gallery
February 9 – March 10, 2012
by Jonathan Beer
You are Nature is Brooklyn-based artist Greg Lindquist’s most recent body of work currently on view at Elizabeth Harris Gallery. It is comprised of over 15 paintings completed since 2011, as well as two site specific wall paintings.
Spiderweb (If it's raining, no one can see your tears.) Oil on Linen.16 x 24.5 inches. 2012. (Courtesy of the artist.)
In a departure from Lindquist’s earlier work, this show features pieces more decidedly about painterly exploration than his prior interest in smart picture making. While intellect is surely habitual concern for the artist, the hallmark of this show is his temporary suspension of that theoretical backdrop to find enjoyment and intrigue in the act of painting.
As I viewed Lindquist’s work at the opening I could not help but remember a 1964 interview between Larry Rivers and David Hockney. Rivers asked Hockney which was more important to picture making; making something beautiful or interesting. Hockney replied “Perhaps the most beautiful paintings are beautifully interesting.” In the case of Greg Lindquist’s work I believe this principle holds true. Read More